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Book Reviewed by:
National Book Critics Circle Awards
2020
The first two-thirds of the novel are split into a dual timeline, bouncing back and forth between the week of Hamnet's death (the present), and the blossoming romance between William and Agnes (the past). It's a tender yet fraught courtship, and the pacing here is slow and deliberate. The final third speeds up and takes place after the death of their son. Both parts are equally as successful — the languid pace is sustained by O'Farrell's lyrical prose, and the more frantic pace is made tense and urgent by it. O'Farrell imagines the subtler influences of Agnes and Hamnet on Shakespeare in a novel that's as intimate and human as it is grandiose...continued
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(Reviewed by Rachel Hullett).
Little is known about Shakespeare's family, names and birth dates aside — and even names are tricky. Though commonly referred to as Anne Hathaway, Shakespeare's wife may have actually been named Agnes, according to a will left by her father. O'Farrell makes the decision to use the name Agnes in her novel Hamnet, but she references this confusion in the narrative itself, in a scene where she introduces herself as Agnes but Shakespeare mishears her and thinks she said Anne.
The real Agnes, or Anne, was born in 1556, likely in a town called Shottery near Stratford, and was raised by father Richard, a local landowner, and stepmother Joan in a one-story farmhouse called Hewley Farm. There were eight children in their home, three by Anne...
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Dominic Dromgoole, author of Hamlet, Globe to Globe
I don't know how anyone could fail to love this book. It is a marvel: a great work of imaginative recreation and a great story. It is also a moral achievement to have transformed that young child from being a literary footnote into someone so tenderly alive that part of you wishes he had survived and Hamlet never been written.
